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Based on the simple yet deeply moving legendary tale of Orpheus, who loses his beloved wife to death but is able to restore her through the power of his music, Orfeo ed Euridice is among the earliest operas to hold a secure place in the repertory. Gluck lavishes a wealth of beautiful melody on this tale, whose appeal to composers is obvious; yet the abiding strength lies in the power and majesty of his inspiration, whether in the solos, the choruses, or the ballet music – which is surely the finest written for any opera.

The Barber of Seville is Rossini’s most popular opera. Its effervescent overture (written originally for another work!) presents a perfect platform for the amusing plot in which the barber, Figaro, stage-manages a romance between Count Almaviva and Rosina, and puts to flight the old suitor, Dr Bartolo.

The Flying Dutchman is the perfect opera with which to approach the operatic mountain that is Richard Wagner. It is short, has a great story (the legend of the Dutch captain doomed to sail forever unless redeemed through love), and the striking score has many pre-echoes of Wagner’s later great music dramas.

Wagner’s Ring cycle is the most ambitious work in the history of music: four operas that combine to tell a single epic story. Based in legend, it has become a legend in its own right: a supreme challenge for conductors, singers, opera producers, and indeed for audiences. But for all its grandeur and complexity, The Ring is far more accessible than many music lovers think.

From Gregorian Chant to Henryk Gorecki, the first living classical composer to get into the pop album charts, here is the fascinating story of over a thousand years of Western classical music and the composers who have sought to express in music the deepest of human feelings and emotions. Polyphony, sonata form, serial music – many musical expressions are also explained – with the text illustrated by performances from some of the most highly praised recordings of recent years.

Perry Keenlyside tells the remarkable story of the world’s richest literary resource. The story-telling, the poetry, the growth of the novel and the great histories and essays which have informed the language and the imagination wherever English is spoken. This is the fourth in the Naxos AudioBooks Histories series.

Since its origins in the sixteenth century, opera has been an extravagant, costly affair, arousing great passions. It has also produced some of the most sublime works of art, from Monteverdi to Wagner. Following the widely acclaimed History of Classical Music, Richard Fawkes traces the history of opera up to the present day on the first three CDs, and devotes the fourth to the history of operetta.

This bold undertaking covers Western theatre from ancient Greece to the present day. It traces the development of dramatic art through the miracle plays, the great Shakespearean period, Molière and Racine in France, Goethe in Germany, through the nineteenth century and the main movements in the twentieth century.

Fryderyk Chopin is the pianist-composer par excellence. Regarded as one of the most mesmeric performers of his day, he lives on in his music – his waltzes, mazurkas, études, preludes, nocturnes, three piano sonatas, two piano concertos and much more. Here, his life, from his birth in Poland, his famous affair with the French writer George Sand, and his death at the age of 49 in Paris, is told with his music featuring prominently.